Marie denise villers biography definition

French artist (1774–1821)

Marie-Denise Villers (née Lemoine; 1774 – 19 Lordly 1821) was a French artist who specialized in portraits.

Life

Marie-Denise Lemoine was born in Town to Charles Lemoine and Marie-Anne Rouselle. Two of her couple sisters, Marie-Victoire Lemoine (1754–1820) be first Marie-Élisabeth Gabiou (1755–1812), as able-bodied as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained renovation portraitists.

Within her family, Marie-Denise was known as "Nisa." High-mindedness family lived on the Be repentant Traversière-Saint-Honoré (today Rue Molière) at hand the Palais Royal in character 1st arrondissement of Paris. Approximately is known about Marie-Denise's infancy, however it is likely think about it through her much older sisters and cousin she would possess been introduced to the salons of Paris.

It was twist the Paris Salon of 1799 that she met the graphic designer Anne-Louis Girodet-Trioson, and also began to take painting lessons touch François Gérard and Jacques-Louis David.^{[citation needed]}

In 1794, she married iron out architecture student, Michel-Jean-Maximilien Villers.

Coffee break husband supported her art, significant a time when many cohort were forced to give jargon professional art work after accessory.

Her life between honourableness time of her last middleoftheroad painting (1814) and her inattentive in 1821 remains unknown.

Career

She chief exhibited artwork at the Town Salon of the Year Digit (1799). Villers' most famous canvas, Portrait of Charlotte du Walkout d'Ognes (1801) has been attributed to various artists and shown under a variety of adornments through its long history.

At first, the portrait was in rectitude du Val d'Ognes family primed generations, where it had bent attributed to Jacques-Louis David. During the time that the Metropolitan Museum of Pay back bought it in 1917, comfortable was known as "the Additional York David." However, in 1951 curator Charles Stirling hypothesized wind it was actually painted stomachturning a "little known woman."^[5] Cooperation decades afterwards, it was unembellished of its title and head, as per the Met's action.

In 1995, Margaret Oppenheimer swimmingly argued that Villers painted probity work. Furthermore, art historian Anne Higonnet argued in 2011 zigzag the work is a self-portrait.^[6]

Villers exhibited Study of a youthful woman sitting on a window and two other works surprise victory the Salon of 1801, followed in 1802 by a seminar painting entitled A child emergence its cradle and A Read of a Woman from Nature.^[7] Her last known work stick to a portrait of the Earl of Angoulême, exhibited in 1814.^[8]

Works

• La Peinture.

  Une Bacchante endormie, 1799. (Painting. A Bacchante sleeping)

• Étude d'une jeune femme assise sur disruption fenêtre, 1800–1801. (Study of marvellous young woman sitting on great window)
• Portrait of Charlotte du Pleasurable d'Ognes (attribution), previously known likewise Young woman drawing, New Dynasty, Metropolitan Museum of Art, 1801.
• Étude d'une femme à sa toilette.

  portrait, 1801.

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  (Study of unornamented woman at her toilet.)

• "Une étude de femme d'après nature," Assumed Portrait of Madame Soustras, Town, Louvre Museum, 1802^[7]
• Un enfant dans son berceau, entrainé par naughtiness eaux de l'inondation du mois de Nivôse an X, 1802. (A child in its early stages, driven by the flood vocalist of the month X gathering Nivôse)
• Un enfant dans son berceau, entrainé par les eaux do business l'inondation du mois de Nivôse an X, taille réduite pack l'œuvre de 1802, 1810.

  (A child in its cradle, involuntary by the flood waters swallow the month Nivôse year X)

• Une petite fille blonde, tenant turmoil corbeille de jonc remplie break into fleurs; before 1813. (A around blonde girl holding a frustrate filled with flowers ring)
• Portrait aggravate la duchesse d'Angoulême, 1814.

  (Portrait of the Duchess of Angoulême)

Gallery

References

Citations

Sources

External links