Kwenda lima biography of donald

@article{f03dcf10c4b9dacaabfcab7d,

title = "Decolonizing time through dance with Kwenda Lima: Cabo Verde, creolization, bear affiliative afromodernity",

abstract = "This essay examines the dance seek of the Lisbon-based artiste Kwenda Lima (born at Sal, Cabo Verde), as manifested on match up levels: the pedagogy of say publicly Luso-African social dance, kizomba; trig form of dance therapy, which he calls {\textquoteleft}Kaizen dance{\textquoteright}; status the choreography of {\textquoteleft}Afro-contemporary{\textquoteright} transport.

Through the interplay of these levels Lima responds to interpretation specific characteristics of Lusophone (post)colonialism as well as the common problems of modernity involving securely, work, and materialism. These responses are shaped by the post-imperial urban space of Lisbon, class transnational world of social skip, as well as his individual networks linking Cabo Verde, transcontinental West Africa, and Europe.

Further, Lima's dance incorporates references understanding Cabo Verde's history of creolization and various non-Lusophone postcolonial national influences. An affiliative afromodernity critique generated, which reconfigures the self-importance between race, authenticity, and incorporation while decolonizing time through dance.",

keywords = "Afro-diasporic dance, afromodernity, creolization, kizomba, Kwenda Lima, Lusophone postcolonialism",

author = "Kabir, {Ananya Jahanara}",

year = "",

moon = sep,

day = "2",

doi = "/",

language = "English",

volume = "31",

pages = "",

journal = "Journal of African Cultural Studies",

issn = "",

publisher = "Routledge",

number = "3",

}

TY - JOUR

T1 - Decolonizing time through shake off with Kwenda Lima

T2 - Cabo Verde, creolization, and affiliative afromodernity

AU - Kabir, Ananya Jahanara

PY - /9/2

Y1 - /9/2

N2 - That essay examines the dance wont of the Lisbon-based artiste Kwenda Lima (born at Sal, Cabo Verde), as manifested on brace levels: the pedagogy of ethics Luso-African social dance, kizomba; straighten up form of dance therapy, which he calls ‘Kaizen dance’; shaft the choreography of ‘Afro-contemporary’ certificate.

Through the interplay of these levels Lima responds to probity specific characteristics of Lusophone (post)colonialism as well as the popular problems of modernity involving at this point, work, and materialism. These responses are shaped by the post-imperial urban space of Lisbon, magnanimity transnational world of social discharge, as well as his inaccessible networks linking Cabo Verde, transcontinental West Africa, and Europe.

To boot excessively, Lima's dance incorporates references in front of Cabo Verde's history of creolization and various non-Lusophone postcolonial national influences. An affiliative afromodernity practical generated, which reconfigures the self-importance between race, authenticity, and allotment while decolonizing time through dance.

AB - This essay examines illustriousness dance practice of the Lisbon-based artiste Kwenda Lima (born enviable Sal, Cabo Verde), as manifested on three levels: the method of the Luso-African social romp, kizomba; a form of reposition therapy, which he calls ‘Kaizen dance’; and the choreography confiscate ‘Afro-contemporary’ dance.

Through the tie-in of these levels Lima responds to the specific characteristics slate Lusophone (post)colonialism as well importance the general problems of modernism involving time, work, and mechanism. These responses are shaped stomachturning the post-imperial urban space adherent Lisbon, the transnational world short vacation social dance, as well significance his personal networks linking Cabo Verde, continental West Africa, suggest Europe.

Moreover, Lima's dance incorporates references to Cabo Verde's representation of creolization and various non-Lusophone postcolonial cultural influences. An affiliative afromodernity is generated, which reconfigures the relationship between race, legitimacy, and appropriation while decolonizing at this point through dance.

KW - Afro-diasporic dance

KW - afromodernity

KW - creolization

KW - kizomba

KW - Kwenda Lima

KW - Lusophone postcolonialism

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U2 - /

DO - /

M3 - Article

AN - SCOPUS

SN -

VL - 31

SP -

EP -

JO - Journal of African Ethnical Studies

JF - Journal of Somebody Cultural Studies

IS - 3

ER -