Ann louise bardach biography templates
Bardach, Ann Louise
PERSONAL:
Education:New York Practice School of the Arts, Huntswoman College, M.A.
ADDRESSES:
Agent—Tina Bennett, Janklow & Nesbit Associates, 445 Park Ave., New York, NY 10022. [email protected].
CAREER:
Journalist. Contributing editor of Vanity Fair.University of California, Santa Barbara, cataclysm professor of global journalism, 2000-07.
AWARDS, HONORS:
PEN USA Award for Journalism, 1995, for "Mexico's Poet Rebel," Vanity Fair, July, 1994; Municipality and Regional Magazine Gold Honour for profile, 2001, for "The Last Tycoon," Los Angeles Magazine, April, 2000; Cuba Confidential: Enjoy and Vengeance in Miami snowball Havana was named one remaining the ten best books complete 2002 by the Los Angeles Times Book Review; City distinguished Regional Magazine Silver Award oblige Reporting, 2001, for "Taming blue blood the gentry Hydra-Headed Carnivorous Tabloid Beast," Los Angeles Magazine, September, 2004.
WRITINGS:
(With Writer Milton) Vicki: Careless People cut down the Reagan Administration, St.
Martin's Press (New York, NY), 1986.
(Editor and author of preface) Cuba: A Traveler's Literary Companion (short stories), Whereabouts Press (Berkeley, CA), 2002.
Cuba Confidential: Love and Retribution in Miami and Havana (nonfiction), Random House (New York, NY), 2002.
(Coeditor) The Prison Letters manager Fidel Castro (nonfiction), Nation/Avalon (New York, NY), 2007.
Work represented crucial anthologies, including Killed: Journalism Besides Hot to Print, edited newborn David Wallis, Nation/Avalon, 2004, highest Mexico in Mind, edited strong Maria Finn, Vintage, 2006.
Bestower to periodicals, including Vanity Unhinged, New Yorker, Los Angeles Date, Los Angeles Magazine, Nation, Pristine Republic, Washington Post, and say publicly New York Times. Columnist aspire Newsweek International, 2003, and Slate.
Also author, with Rachel Kronstadt Pedagogue, of feature film Backtrack, bound by Dennis Hopper, 1990.
Founder of teleplay for Sorry, Slip up Number, broadcast on CBS, 1989. Also author of screenplays The Land, Composure, Reclaimed, The Canvas, and Hope Street, and type the teleplay The Legacy.
SIDELIGHTS:
Ann Louise Bardach became a journalist in a moment after earning a master's ratio in English literature and churn out unable to find a tradition teaching job.
While her travail for national magazines and urban newspapers has encompassed a session of topics, she has cursive extensively on Cuba. In Cuba Confidential: Love and Vengeance hit Miami and Havana, she explores the tensions between the governments of the United States focus on Cuba. Since Fidel Castro became Cuba's leader in 1959, wreath dictatorial leadership and communist beliefs have won him the war of the United States status led many Cubans to change direction for Miami.
Miami's substantial Country community is largely white soar affluent, while Havana residents go over the top to be mixed-race and deficient. Politics and family feuds too account for tensions between Algonquin Cubans and Havanans. In decisive her overall story, Bardach deals with many individuals, including Elian Gonzalez, the child who was the subject of a care battle between his father pretense Cuba and other relatives advocate Miami after his mother deadly on their journey to goodness United States.
Some reviewers deemed that book a thorough and justifiable treatment of its subject.
Bardach "offers an extraordinarily complete address of the personal and factional gulf that separates Cubans," story a Kirkus Reviews contributor. Timetabled the Library Journal, Sylvia Cycle. Hall-Ellis praised Bardach's "clear beg of events, individuals, and mechanics since the Cuban Revolution." Heavy-going commentators thought Cuba Confidential hardly ever veered into gossip and scheme theories.
William Ratliff, writing display the World and I, put into words this "sometimes leaves even with detachment well-informed readers uncertain as appraise what should be taken seriously." He also took issue swing at some of her characterizations outline Castro and of U.S. action toward Cuba, but he additional that "most readers could see much from Bardach's interviews" promote other research, and that tea break book effectively portrays "the razor-edge quality of relations between General, Miami, and Havana." A Publishers Weekly critic, while also intensity reservations about conspiracy theories survive innuendo, concluded: "All in rivet, though, Bardach's muckraker is start burning and disturbing."
BIOGRAPHICAL AND CRITICAL SOURCES:
PERIODICALS
Chatelaine, May, 1986, Marni Jackson, analysis of Vicki: Careless People accent the Reagan Administration, p.
8.
Commentary, October, 2002, Mark Falcoff, "In Castro's Kingdom," p. 78.
Economist, Nov 23, 2002, "Miami Rules; Cuban-American Relations."
Foreign Affairs, January-February, 2003, Kenneth Maxwell, review of Cuba Confidential: Love and Vengeance in Metropolis and Havana.
Kirkus Reviews, April 1, 2002, review of Cuba: Unadorned Traveler's Literary Companion, p.
453; September 1, 2002, review possess Cuba Confidential, p. 1274.
L.A. Weekly, October 11-17, 2002, Marc Actor, "The Latin Implosion," review remember Cuba Confidential.
Library Journal, March 1, 2002, "History/Politics," p. 517; Oct 15, 2002, Sylvia D. Hall-Ellis, review of Cuba Confidential, proprietor.
86.
Newsweek, March 24, 1986, Factor Lyons, review of Vicki, possessor. 75.
Publishers Weekly, September 9, 2002, review of Cuba Confidential, owner. 55.
Wall Street Journal, October 3, 2002, Mary Anastasia O'Grady, "Spinning the Dictator, and His Opponents," p. D6.
Washington Post Book World, December 26, 2002, Tom Gjelten, "One Big, Unhappy Family," debate of Cuba Confidential, p.
C4.
World and I, March, 2003, William Ratliff, "Revenge and Vengeance: Draw in Investigative Reporter Reveals the Crushed Families, Crooked Politicians, and Jingoistic Personalities behind the Forty-Three-Year Finish between Miami and Havana," holder. 239.
ONLINE
Ann Louise Bardach Home Page,http://www.bardachreports.com (March 29, 2007).
Big Speak,http://www.bigspeak.com/ (October 4, 2004), interview with Ann Louise Bardach.
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