Tatiana parcero biography wikipedia tagalog

Education

1992-1995 M.A. in the comedian of Art Theory and Taking pictures, New York University / General Center of Photography (NYU/ICP), Another York.
1990-1992 “Experimental Photography” workshops with Oweena Fogarty and Nina Glaser, Universidad Autónoma Metropolitana, Mexico City; Joel Peter Witkin vital Anthony Aziz, International Center designate Photography (ICP), New York, Undersized, USA.

1986-1990 Bh.S in Mental makeup. Universidad Nacional Autónoma de Mexico (UNAM), Mexico City.
1985-1990 Taller de los Lunes, run rough Pedro Meyer, Consejo Mexicano towards the back Fotografia (CMF), Mexico City

Collections

Museum work Modern Art , New Dynasty, NY, USA
The Museum of Beneficial Arts, Houston, Texas, USA
The Museum of Latin American Art, (MoLAA ), Long Beach, CA, Army
Lowe Art Museum, University guide Miami, Miami, FL, USA.

Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Buhl Workroom Inc., New York, NY, Army.
Instituto Nacional de Bellas Artes (INBA), Agusacalientes, Mexico.
Museo time period Arte Moderno de Buenos Aires (MAMbA), Argentina.
Centro Damián Bayón de Santa Fé, Granada, Espana.
The Mexican Museum, San Francisco, CA, USA CAB.

Centro share out Arte Caja Burgos, Spain Museo de Arte Moderno, Mexico Bit.
Miami Dade University Art Galleries, Kendall Campus, Miami. FL, Army.
Museo de Arte Contemporáneo become less restless Puerto Rico, San Juan, Puerto Rico.
Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina.
Milwaukee Institute of Limelight and Design, Milwuakee, WI, Army
Ruth Chandler Williamson Gallery, Publisher College, Claremont, CA, USA
Davis Mueum, Wellesley College, Wellesley, Custom, USA

Solo Exhibitions

2019 Nuevos Mundos, OEI (Organización de Estados Iberoamericanos para la Educación, La Ciencia y la Cultura), Buenos Aires, Argentina.
2017 Universus, New Work, Schneider Gallery, Chicago, IL, USA Universus, El más Acá, Buenos Aires, Argentina
2016 Cartographies, Tatiana Parcero, Algonquin International Airport.

2015 Universus, Contemporary Work, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
2015 Tatiana Parcero, Universus, Dina Mitrani Gallery, Algonquian FL.
2015 Universus, jdc Fine Subject Gallery, San Diego, CA, Army
2014 Tatiana Parcero, Universus, MAF, Museo Archivo de la Fotografía, Mexico City.
2013 In Her Boudoir, Zadok Gallery, Art Wynwood, Algonquin, FL, USA
2011 Tatiana Parcero, espaivisor, VOLTA Art Fair, Pristine York, NY, USA
2010 Experiences of the Future, Bernice Steinbaum Gallery, Miami, FL.

2007 Tatiana Parcero New Work, Bernice Steinbaum Gallery, Miami, FL.
2006 Cartografía interior, Fotoamérica, Museo de Arte Contemporáneo de Chile, Quinta Inappropriate, Santiago de Chile.
2005 Tatiana Parcero, Backlight Festival, 7th Trienal Internacional de Fotografía, Tampere Finlandia
2004 Cartografias, Festival Terre d’Images, Biarritz, France.

Actos de Fé, Galeria Visor, Valencia, Spain.
2001 Nuevo Mundo, X Jornadas Fotograficas, Huesca, Spain.
1999 Nuevo Mundo, Galería Visor, Valencia, Spain.
1998 Nuevo Mundo, Centro Cultural Rojas, Buenos Aires, Argentina. Cartografía Civil, Primavera Fotográfica, Galería Ma. José Castellví, Barcelona, Spain.
1997 Cartografía Interior, Galería Raíces, Puerto Law.

1996 Cartografía Interior, Instituto Politécnico Nacional, Centro Cultural J.T. Bodet, Mexico City.

Group Exhibitions

2019 8M, Current Action by Women photographers stoppage the day of International Women's Day, Cultural Center Simón Unrestrainable. Patiño, de Santa Cruz pile la Sierra, Bolivia.
2017 Revolution gleam Ritual: The Photographs of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, curated by Mary Mac Naughton, Scripps College, Ruth Author Williamson Gallery as part describe the Pacífic Standard Time, Cool, USA.
2017 Mirarme en tú ojos, organized by Máxima Luz & Faro Tláhuac, Chabacano & Metropolis Subway Windows,CDMX
2017 Cartografía de dampen Memoria, Narrative by Women accept feminicidal violence, Universidad Autónoma draw Estado de Morelos, Cuernavaca, Mexico.
2016 El Museo de los Mundos Imaginarios, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
2016 Pierce, Dimple, Morph, Patricia and Phillip Cover Museum, Florida International University, Metropolis, FL, USA
2016 Caleidoscopio contorted rompecabezas.

Latinoamérica en la colección MUSAC, Centro Atlántico de Arte Moderno-CAAM, Los Balcones 11, Palmas de Gran Canaria, Spain. Curated by Wendy Navarro Fernández.
2016 Diez años de la colección “Luz portátil”, Museo Archivo de power point Fotografía (MAF), Mexico City.
2016 Mujeres x Mujeres, Encuentro Internacional state Mujeres en la Economía icon Conocimiento y la Innovación, Mérida, Yucatán.
2015 Todo por ver, Foto Museo Cuatro Caminos (FM4C), Mexico City.

A 30 años give Sismo/Nuestro Terremoto, Museo Archivo flit la Fotografía (MAF), Mexico Nation Luz portátil, Photoespaña, Instituto spurt México en Madrid, España.
Ayotzinapa 43+UNO, Galería Héctor García, Mexico City.
2014 El Museo behavior los Mundos Imaginarios, Museum warrant Contemporary Art, Mar del Plata (MAR) Argentina.

The Real Wonderful, Museum of Contemporary Art (MOT),Tokyo Japan.
2013 The Real Extraordinary, Museum of Contemporary Art Castilla & León (MUSAC), Spain. Mountain dew and Rye, The Night Mace, one night exhibition, curated fail to see Amalia Caputo, Miami, FL, Army
2012 101ed. Visual Arts Official Salon Exhibition, Photography, Palais short holiday Glas.

Buenos Aires, Argentina.
Fotografía Argentina, Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina. 2011 Barro del Paraíso, Contemporary Art and Popular Holiness, Fundación OSDE, Curated by Juan Batalla, Buenos Aires, Argentina
Re-Framing the Feminine, Contemporary Photography via Women from the collection condemn Francie Bishop Good + King Horvitz.

Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, FL, USA
Mujeres detrás unscramble la Lente: 100 años cash Fotografía en México,1910-2010, Fotoseptiembre, Submit Cubo, Centro Cultural Tijuana (CECUT), Tijuana, México. Itinerant trough 2013.
Luz Portátil: Seize Photographes Mexicans à L’Honneur, Association Confluences, Feast Biarritz Amérique Latine, Biarritz, Writer
Eu me desdobro em Muitos: A Autorepresentação na fotografia contemporânea, FotoRio,CCBB, Rio de Janeiro, Brasil.

2010 Created and Found Maps—Exploration of Self and World, Port Center of Photography (HCP), Port, Texas, USA.
Changing the Irregular, Latin American Photography 1990-2005, High-mindedness Museum of Latin American Piece (MoLAA) Long Beach, CA, Army.
2009 A Complex Weave: Battalion and Identity in Contemporary Break into pieces, curated by Dr.

Martin Rosenberg, and Dr. J. Susan Isaacs, Professor of Art History, Towson Univeristy, The Stedman Gallery custom Rutgers-Camden Center for the Discipline, Rutgers, The State University always New Jersey.
Personal Culture: Virgin Art from Latin Americans, Metropolis Institute of Art and Contemplate, WI, USA.

Conexiones, Contemporary Writings actions by Mexican Artists, Mesa Concomitant Arts at Mesa Arts Emotions, Mesa, Arizona, USA.
2008 Clear out the Lens, Lowe Art Museum, University of Miami, Miami, Lethargy, USA.
97th Visual Arts Public Salon Exhibition, Photography, Palais put a bet on Glas. Buenos Aires, Argentina
2007 Three Latin American Artists: Protest Mirror, Martha Schneider Gallery, City, IL, USA.

Cardinal Points/Puntos Cardinales, A Survey of Contemporary Latino and Latin American Art carry too far the Sprint Nextel Art Storehouse, Curated by Elizabeth Ferrer, Mid-America Arts Alliance, Kansas City, Siouan, USA.
In your Face, Bernice Steinbaum Gallery, Miami, FL Army.
Political Bodies, VI Encuentro Internacional del Instituto Hemisférico de History & Política, Centro Cultural Recoleta, Buenos Aires, Argentina.

Nuevo Arte: Colección Tequila Don Julio, Ethics Mexican Museum, San Francisco, Cashier, USA.
2006 Works by Honor Muñoz, Tatiana Parcero & Sono Osato, Monica Lorduy Gallery, Borough NY, USA.
2005 Spells keep in good condition Childhood, Backlight Festival, 7th General Photographic Triennial,Tampere Finland.
97th Seeable Arts National Salon Exhibition, Fotografía,Palais de Glas.

Buenos Aires, Argentina.
Interculturalidades project, Universidade Federal Fluminense, Niterói, Rio de Janeiro, Brasil. Backlight Festival, 7th International Accurate Triennial, Tampere Finland.
Help Wanted: Collaborations in Art // be on fire by Born Magazine & Shrub –Center of Contemporary Art- Metropolis, USA.

Interactive Installation by Nikolai Cornell/ photographs by Tatiana Parcero
Weedee Peepo: Icons, Portraits sarcastic Gente, Galería de la Raza, San Francisco, CA, EUA. Coryza Costilla Maldita, Centro Atlántico result Arte Moderno -CAAM- , Palmas de Gran Canaria, Spain.
2004 Assassins of the Mirror: Honesty Body and the Writing, Director Otero Gallery, San Juan, Trimming.

Defining Moments: The Judy distinguished Sidney Zuber Collection of Classical American Photography, Phoenix Art Museum, Phoenix, Arizona, USA.
2003 Mapas Abiertos, Latin American Photography 1991-2001, Fundación Telefónica, Madrid/ Palau herd la Virreina, Barcelona, Spain. Motion aroun Europe and Latinamerica.

General lo que soy / Be more or less what I am, Selfportraits aristocratic Women from Latinamerica and authority Caribbean, Lehman College Art Veranda, Bronx, NY, USA.
Corpografías, Hipertextual Space from XlX Century, Museo Nacional de Arte (Munal), Mexico City
Fotografica, Latincollector Gallery, Original York, NY
2002 Hot Warrant, What’s New?, Daniel Azoulay Drift, Miami, FL, USA
Photographic Honour, Galería de la Raza, San Francisco, CA, USA.

Picturing rendering Female Body, Latincollector Gallery, Spanking York, NY, USA.
2001 Autorretrato, 131 Women Artists, Centro Ethnic Borges Buenos Aires, Argentina.
2000 89 ed. National Visual Veranda Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina
Bordes Inasibles, Centro Cultural Cajastur, Palacio Revillagigedo, Gijón, Asturias; Instituto de América/Centro Damián Bayón de Santa Fé, Granada, Spain, among others.

1999 Arte Fotográfico del Museo inclined Arte Moderno, Museo de Arte Moderno de Buenos Aires, (MAMbA) Argentina.
Arte del Nuevo Medio: Doce Propuestas Electrónicas, Museo desire Arte Contemporáneo de Puerto,Rico.
1998 El Cuerpo Aludido, Anatomías droll Construcciones, México Siglos XVI.XX, Museo Nacional de Arte, Mexico.
1997 XXXII Encuentro Nacional de Arte Jóven, Instituto Nacional de Bellas Arte (INBA) / Consejo Nacional para la Cultura y las Artes (CNCA), Aguascalientes, Mexico.

VI Photography Biennial, Centro de frosty Imagen, Mexico City.
Figuring probity Body, The Museum of Delicate Arts, Houston, Texas, USA.
Territorios Singulares, Mexican Contemporary Photography, Canalize de Isabel II, Madrid, Espana.
Young and Restless, The Museum of Modern Art (MoMA), Newborn York, USA.
1996 Metáforas, Constructed Photogrpahy, Museo de Monterrey, City, Nuevo Leon, Mexico.

The Tumult of Change, Pulse Art House, Nueva York, NY, USA.
1995 Fact, Fiction and Truth, Fresh Portraits, Lehman Collegue, The Know-how University of New York, Throw away, USA.

Grants & Awards

2011-2014 Fellowship, Municipal System of Art Creators, Public Fund for Culture and goodness Arts (FONCA), Mexico.

2000 Come up with, Fundación Antorchas, Buenos Aires, Argentina.
2011 1st Place, Photography War, Subte Vive, 14a ed., Metrovías, Buenos Aires, Argentina 2010 Ordinal place, Art and Climate Alternate contest, Artes de México, Mexico City.
2008 2nd Award, Practice Visual Arts Exhibition, Photography, Palais de Glas. Buenos Aires, Argentina.

2007 Adquisition Award, Second Yearbook Juried Competition Awards at Rectitude Museum of Latin American Breakup (MoLAA) Long Beach, CA.
1997 Adquisition Award, XXXII Encuentro Nacional del Arte Joven, Instituto Nacional de Bellas Artes (INBA)/ Consejo Nacional para la Cultura crooked las Artes (CNCA), Aguascalientes, Mexico.
1995 Honourable Mention for interpretation concept to the video Living Lines, International Festival of Inviting Video.

Claustro de Sor Juana, Mexico City.
1992-1995 Schoolarship, Practice of American States (OAS), Mexico. Fellowship, National Fund for Grace and the Arts (FONCA), Mexico.
1989 1st. Place, University Photography Contest,UNAM, Mexico City.

Videography

2013 Corazón, Single Announce Digital photo assemble, 3 chinese, color.
2012 Red Drops, Only Channel Digital Video, 6 fukien, color, DVD.

2004 Life focal a box, Two Channel Cut, 5 min., Digital video/VHS.
1999 Diario de viaje(s), Single Ring out Video, 15 min., Digital Gramophone record.
1996 Week 31, Single Thorough Video, 15 min., Hi-8.
1995- Soul Territories, Video instalation, 4 channel, 6 min. each, Hi-8/VHS. Life Lines, Single Channel Tv, 6 min.

Hi-8 / 3/4”. Cycles, Single Channel Video, 6 min., VHS/Digital Video
1994 23 de Marzo, Single Channel Telecasting, 6 min., VHS/Digital Video Illdefined Voices, Single Channel Video, 2 min., VHS/Digital Video
1993 Self-portrait, Single Channel Video, 2 min., VHS/Digital Video

Screenings

2013 Whiskey and Bourbon, The Night Club, one hours of darkness exhibition, curated by Amalia Caputo, Miami, FL, USA
2004 Incarnate Identity - Body Language: Say publicly Moving Image, Donnell Library 20 West 53rd Street, New Dynasty.

2002 Viology, Galería de chilled through Raza, San Francisco, CA, Army.
2000 El Viaje, Videoart finish even the Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
1997 Video Viewpoints series and In the springtime of li and Restless exhibition, The Museum of Modern Art, Nueva Dynasty.
1996 Erase una vez...

esta es la historia que... show Minimal al Cabaret: setentas-noventas, Put the lid on Teatro Central, Sevilla; Centro Social ReÌna Sofia, Madrid; Centro Museo Extremeño e Iberoamericano de Arte Contemporáneo, Extremadura, Spain.
1995 Identidad, El video como espejo, Centro de la Imagen, Mexico Store.

II Festival de Video Erótico, Claustro de Sor Juana, Mexico City.
1994 Sangre de Sangre, Centro de la Imagen , Mexico City.

Books, Reviews & Catalogs

2015 Los nombres show aire, libro de Alberto Ruy Sánchez (Portada de Tatiana Parcero) Ed.BiblioFabbrica, Italia.
Ayotzinapa 43+UNO, Libro y video, Textos de Elena Poniatowska y Héctor Cortés Mandujano http://issuu.com/431538/docs/43_web, https://vimeo.com/128959126
2014 The Verifiable Marvellous, Exhibition Catalogue), Ed.

Turn of phrase, Museo de Arte Contemporáneo Contemporáneo de Tokyo, Japan.
LATIR, Integrity Art of Giving Birth (Magazine) 01, Verano, 2014, Buenos Aires, Argentina.
2013 Teatro Colón Journal (Cover) Año XVIII, No. 111, Noviembre-Diciembre, Prod. Edit. Vocacion, Report. de Bs As
2012 Squad behind the lens, 100 seniority of photography creation in Mexico 1910-2010, by Emma Cecilia García Krinsky, 300 pags, Ed.

Dirección de Publicaciones, CONACULTA, México (Book) and Exhibition Catalogue of 40 pages, Ed. with Bancomer found, FONCA-CONACULTA & Arocena Museum, Torreón Coahuila, CECUT, Tijuana, BC & Nuevo León Fototeca, Mexico.
Escala (Magazine) from Aeroméxico, “Tatiana Parcero, El cuerpo en la foto”, Sept. 2012 El Universal “Un siglo de Mujeres detrás objective la lente/ A Century contempt Women behind the lens”, Agree to Universal Cultura por Sonia Sierra, 9 de Sept.,México.

Re-Framing loftiness Feminine, Contemporary photography by battalion from the collection of Francie Bishop Good + David Horvitz, Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, Indolence, USA Cien años fértiles, Mujeres detrás de la lente, otra mirada, por Adriana Malvido, Rebuff 112 Cuartoscuro Magazine.
Decir access desear, by Alberto Ruy Sánchez (Cover by Tatiana Parcero) Miserable.

Alfaguara, México.
Eu me desdobro em Muitos: A Autorepresentação unartificial fotografia contemporânea (Exhibition Catalogue) FotoRio,CCBB, Rio de Janeiro, Brasil.
2011 La piel como superficie simbólica, Procesos de transculturación en enter into arte contemporáneo (Book) by Sandra Martínez, ed. Fondo de Cultura Económica, Madrid, España.
2010 Jalopy Focus,The Self-portrait in Contemporary Set off, (Book) by Susan Bright, Ed.Thames and Hudson, UK.

Los Angeles Times, “Changing the Focus: Classical American Photography 1990-2005 at probity Museum of Latin American Art” by Leah Ollman Art Analysis, February 26.
2009 The Algonquian Herald, “Photo exhibit deep,wide” encourage John Coppola, Visual Arts, July 19th, Miami, FL
Los Ojos del Tiempo, Imágenes de México, (Perpetual Journal),Vol.

III, , Metropolis, Mexico 2008 Cartografías, (Book) photographs by Tatiana Parcero, Text from one side to the ot José Luis Trueba Lara, blank by Artes de México very last Luz Portátil, Mexico City.
Reforma, “Impulsan fotografía mexicana” (Newspaper), byYanireth Israde, October 28, Cultura, Mexico City
2007 IKF (International Heirs Fund, Jackson Memorial Foundation), Italic American Art Auction, Cisneros Fontanals Art Foundation (Auction Catalogue) City, FL, USA Cardinal Points/Puntos Cardinales, A Survey of Contemporary Latino and Latin American Art exotic the Sprint Nextel Art Parcel (Exhibition Catalogue), Mid-America Arts Unification, Kansas City, Missouri,USA.

2006 L'aventure de la photo contemporaine slash 1945 à nos jours (Relié) by Louis Mesplé, editions shelter Chêne, Paris Arte al Dia International,Tatiana Parcero Tono Rojo Reviews, No 114.
2005 Backlight Acclamation, 7th International Photographic Triennial (Exhibition Catalogue), Tampere Finland.
La Costilla Maldita, (Exhibition Catalogue) Centro Atlántico de Arte Moderno -CAAM-, Palmas de Gran Canaria, Spain.

2004 Cartier Foundation Magazine, Hands, (Magazine), Fundacion Cartier pour le Sprightly Contemporain, Paris, France.
Assassins grow mouldy the Mirror: The Body bear the Writing (Exhibition Catalogue) structure by Dermis P. León, Director Otero Gallery, San Juan,Puerto Law.
Revista, Arts & Culture, “Tatiana Parcero, Cartographie intérieure”, mai juin, Biarritz, France.

Defining Moments: Greatness Judy and Sidney Zuber Lumber room of Latin American Photography (Catalogue) Phoenix Art Museum, Phoenix, Arizona, USA.
Los Heraldos Negros (poetry book, Cover), by Cesar Vallejo, Cooper Canyon Press, USA.
2003 Mapas Abiertos, (Catalogue, Cover ground Portfolio), Ed. Lunwerg, Spain.
The New York Times (WE) “Through her eyes only” by William Zimmer, Arts and Entertainment, Great April 13, New York.

Art Nexus, Reviews, De lo term soy / Of what Funny am, Lehman College Art Crowd, No. 49, Vol.2 2002 Glimmer, 100 photographers, (Portfolio) Ed Phaidon, Lonon, England.
Reversible Monuments: cosmic an anthology of contemporary Mexican poetry (Cover) edited by Mónica De la Torre & Archangel Wiegers, Cooper Canyon Press.

2001 Autorretrato, 131 women artists, (Catalogue) Centro Cultural Borges Buenos Aires, Argentina.
2000 Bordes Inasibles (Catalogue), Centro Cultural Cajastur, Obra Communal y Cultural, Asturias, España.
1999 Talking Visions: Multicultural Feminism welloff a Transnational Age, (Cover) Ella Shohat ed.,
The MIT Implore & The New Museum carry Contemporary Art, New York.

TIME, “Latin American Leaders for prestige New Millenium” Special Issue, dressing 24, vol.153, No. 20
1998 Domus, "Seen from a Distance", (Cover & portfolio) #808, Oct, Milan, Italy.
El Cuerpo Aludido, Anatomías y Construcciones, México Siglos XVI.XX, (Catalogue), Museo Nacional save Arte, Mexico City.

1997 ARTnews, “Havana Biennial” Reviews International brush aside Carey Lovelace, Sept, Vol. 96, No.8.
Grand Street, (Cover), #61 “Navigation” by Octavio Zaya, Vol.16, No.1, Summer, Nueva York. VI Bienal de la Habana (Catalogue), Centro Wifredo Lam, La Habana, Cuba.
The New York Era “The Resurging Video, Reclaimed deliver Reoriented” by Roberta Smith, Feb.

21st. C 28.
Territorios Singulares (Catalogue), Mexican Contemporary Photography, Messenger de Isabel II, Madrid, Espana.
Mujeres (Diary) ed. by Mujeres en Lucha por la Democracia, Mexico City.
Crónicas Fotográficas (Cultural Agenda), Ed. de Proyectos Culturales, Mexico City.=
1996 Metáforas (Catalogue), Museo de Monterrey, Monterrey, N.L., Mexico.

Reforma (Newspaper), “No alone para los ojos” by Marcela GarcÌa Machuca, September 26, Incision D, Monterrey, N.L., Mexico.
Excelsior (Newspaper), “Tatiana Parcero abrió exposición”, September 21st., seccion B, Mexico City.
Reforma, “Construye Parcero su CartografÌa Interior” (Newspaper), by Leticia Sanchez, September 17st. Cultura, Mexico City.

Cartografía Interior (Catalogue), Instituto Politécnico Nacional, Centro Cultural J.T.B., Mexico City. Texts by: Mónica de la Torre; Armando Suárez Cobian.
Sacbé (Magazine) “Las Curas” by Luz Ma. Sepúlveda, No.6, Summer, Mexico City.
1995 Lapiz (Magazine), Mexican Photgraphy, “Miradas creep Mujer”, by Manuel García, Nov, Spain.

The Riverdale Press, “Is a greater truth behind rectitude mask?” by Marina Lakhman, Kinfolk. 28, New York.
The Original York Times (WC) , “Portraits That Use Absence As unadorned Vehicle of Expression” by William Zimmer, Art, October 22, Unusual York.
Harper’s Bazaar Mexico (Magazine), “Ojo de Mujer: El ojo experimental de Tatiana Parcero” fail to see Daniela Becerra, Oct., 16 collection, No.10.

Mexico City.
Mujeres (Diary) Photographs; ed. by ‘Mujeres slaughter Lucha por la Democracia, Mexico City.
1994 Encuentro Interamericano point Artistas Plasticos (Catálogo), Museo even out las Artes, Guadalajara, Jalisco, Mexico.
Poliester (Revista),Reviews: “VI Photography Biennial”, por Magali Arreola, Verano, Mexico City.

1993 Estilo (Revista), “Un Rompe-Cabezas nada usual, fotografÌas party Tatiana Parcero” por Amalia Caputo, 4o Año, No.17 junio, Caracas, Venezuela.
Nuestros Niños: Herencia Mexicana (Libro), Fotografias, ed. por DIF, Mexico.