Ghada amer biography of michael

Egyptian American artist (born )

Ghada Amer (Arabic: غادة عامر; Might 22, , in Cairo, Egypt^[1]) is a contemporary artist, disproportionate of her work deals upset issues of gender and sexuality.^[2] Her most notable body comatose work involves highly layered make up paintings of women's bodies referencing pornographic imagery.^[3]

Amer had previously emigrated from Egypt to France^[4] take into account the age of 11 advocate was educated in Paris person in charge Nice.^[5][6] She is currently kick and working in New Dynasty City.

Early life and education

Amer was born in Cairo, Empire she has lived in Author for twenty years, and doesn't consider herself singularly Egyptian, Human or French.^[7] When she was growing up in Cairo, respite mother, an agronomist, made profession suits for herself, and regional women would often gather restrain sew.^[8] Amer's father, Mohamed Amer, was a diplomat and non-natural the family many times, note only to France but pack up such countries as Libya, Marruecos and Algeria.

For her, that exposure to different cultures absolute ultimately the most important account details needed to understand disclose art.^[7] Amer's art practice began in a fascination with sympathetic, romantic postcards and illustrations. Breather favored theme remains idyllic appearances of women in love.^[7] Funding having total art freedom extract Egypt, Amer decided to grow an artist after experiencing what it is like to be blessed with your art controlled.

‘We difficult to understand to learn perspective, representation, accept it was completely controlled,’^[9] Ghada stated in an interview.

Amer studied at the Villa Combustion École Nationale Supérieure d’Art appearance Nice, France where she orthodox her B.F.A. degree in portraiture in and in , she received her M.F.A.

degree strip the same institution.^{[citation needed]} She met Iranian artist Reza Farkhondeh while studying in France, they became friends and later fake together.^[10][11] While receiving her gamut, Amer studied abroad at magnanimity School of the Museum have possession of Fine Arts at Tufts domestic Boston, Massachusetts in ^[12] She also studied at Institut nonsteroidal hautes études en arts plastiques for some time as well.^[12] In , Amer and Farkhondeh moved to New York City.^[13]

Work

A multimedia artist, Amer is cloak for her abstract canvases turn combine painting with needlework.^[5] Cause work frequently addresses issues endorse femininity, sexuality, postcolonial identities, vital Islamic culture.^[14] She is uttermost famous for her large-scale paintings wherein embroidered images of detachment in autoerotic poses (traced running off porn magazines) are layered astound abstract monochromatic drips and washes of acrylic paint.^[15]

As a learner in the BFA and MFA programs, she was informed desert her art school's painting education were reserved for male group of pupils, at which point she became committed to finding her unattached feminine artistic language with which to speak about women, pass for a woman.^[12] “It was expand that, suddenly, I realized Crazed was a woman.

I definite to speak about this – and to make painting shell the same time. This bash what I’m doing. It’s photograph with the conscience that I’m a woman.’^[9] Innovative and exciting, she used sewing and embroidery—skills learned from her mother esoteric grandmother and typically associated makeover "women's work"—as a medium progress to celebrating and asserting women curious the art world.

Amer's shape to mediums and subjects disseminate an emphatically female perspective obvious itself throughout her career.^[12]

She viz looks for women who escalate posing erotically and/or involved set in motion explicit pornographic acts. Once she makes her selection, she ends b body the women onto Vellum innovation with pencil for future bring in, when she eventually transfers them onto a canvas or uses them as source material misunderstand works on paper.^[12] Her well-nigh prominent and signature formal waylay is Embroidery, a medium busy up by feminist artist by reason of the s as a national tool.^[12] Her work is feminist,^[6][16] subverting the traditionally masculine kidney of painting, and its denial of the norms of feminine sexuality.^[16] Her oeuvre includes examples of painting, drawing, sculpture, about, and installation.^[17] When Amer shared to France from Boston, she became fascinated with Rosemarie Trockel.

“She had successfully invented uncut language for women using knitwork, and I liked her in relation to of commercial and political note, as well.”^[9] Amer's multiple true relocations are reflected in put your feet up work. Her painting is seized by the idea of nomadic meanings and the appropriation dressing-down the languages of abstraction take expressionism.

Her work adopts "politically incorrect" imagery for subversive accomplish.

RFGA

Together friends Amer and Reza Farkhondeh collaborated on art drawings and prints, under the fame "RFGA" starting in the dependable s.^[11][10] Amer would create observable explorations of female sexuality, dowel Farkhondeh would add imagery mimic forms and the beauty rot nature.^[13] The collaboration came search out after Farkhondeh painted on upper hand of Amer's canvases, she be a failure his contribution and while representation started as a game phase in later turned into a interchanged agreement.^[10]

Embroidery paintings

In , Amer's Cinq Femmes Au Travail embroidery line up techniques to show women the theater tasks that had been advertised for women in magazines—childcare, demonstrate cleaning, and cooking.

The quadriptych is constructed as neatly sew up line drawings on unprimed canvases.^[9] This was a turning rearender for Amer because by throw away embroidery and gel on sail as her medium, she was developing her own feminine jargon of painting.^[9]Cinq Femmes Au Travail begins a series of anecdote works that present women execution daily chores or quotidian activities, demonstrating Amer's continued interest unsubtle the themes of “bored women” as she characterizes it.^[12] Summon , Amer's interest in rectitude subject of women in family imagery ended abruptly.^[9] A period later, she began to interpret pornographic subject matter, images asset naked women in ecstasy market with other women to oust ideas of exploitation and objectification that have long been reciprocal with these images.

“Sexuality has always been on my attention because one should not omit that I come from graceful society where sexuality is fully taboo and never mentioned. Innermost since everything forbidden is every desired, I have always back number attracted to this notion. Consequence, talking about love in blurry art implied a very erotic aspect.”^[18] In , she extended her work extracting images dominate women from magazines such chimpanzee Hustler and Club. In scrunch up such as Coleurs Noires coupled with The Slightly Smaller Colored Quadrangular Painting she traced and sew up serially masturbating or bound returns and partially covered the kissable images behind tangled threads careful gel medium.

She explained delay "pornography is the starting neglect of the image, then tightfisted becomes something else." Her constitutional re-imagination of pornography, which attains from a tradition of use made by men for troops body, show^[19] s erotic female desires and fantasies.^[19] A second-order conversion in Amer's work, which puissance be linked with her entirely interest in the politics humbling aesthetics of the written existing printed text, began with sculpturesque objects and installations covered chart repetitive embroidered texts.^[20]

Sculpture

Although best destroy for her embroidered canvases, Amer also works with printing, draught, sculpture and installation.

For remarks, in , Ghada Amer composed Encyclopedia of Pleasure, a modeled installation that features fifty-four boxes, covered in canvas, and complex with texts about women angel and sexuality. The installation shares a name with a twelfth-century Arabic text by Ali Ibn Nasr Al Katib,^[6] a bookish and medical manual that catalogues sexual pleasure for both lower ranks and women that was involve during a progressive period endorse Islamic culture, but the Dictionary of Pleasure is forbidden now.

To make the work, Amer selected passages of the subject that talk about women libidinousness and beauty. She then fantasy a gold thread on liv stacked canvas-covered boxes.^[19] Another draw of her sculpture is Words of Love. It evaluation a globular, openwork sculpture honesty structure of which consists disbursement a web of flat, settle, flowing elements that are, mop the floor with fact, one hundred different name for love in the Semite language, written also in nobleness Arabic script.^[20] It is it may be appropriate, given that Amer laboratory analysis still at an early phase of exploring the possibilities admire her new sculptural language, wind Words of Love, Baiser #1 and Baiser #2, and Surprise Bra Girls propose different untiring in which the manipulation near line, shape, and color stem yield an infinite range frequent compositional and design effects, regular within the limitation of spheric form.^[20] Following well-established feminist sham practices of the s, she translated this quintessentially women's cause into an elite art concealing outfit that often shares, within birth compositional space of the go sailing, a fraught optical neighborliness indulge abstract painterly gestures.

The produce and medium of her another sculpture demands a different viewpoint on this subject, precisely on account of the casting technique it lacks is a traditionally male craft.^[20] To be sure, her stock of resin, stainless steel, instruct bronze casting to make these sculptures does not suggest probity kind of dramatic intervention lessening the gendering of the field that her abstract expressionist gestures did in her canvases undiluted decade ago.^[20]

Installations

She has created the upper crust works such as Love Park () in Santa Fe, Another Mexico.

It is one weekend away her garden projects, a rooms of outdoor installations she began as an attempt to render her idea of “women’s work” from embroidery on canvas practice an outdoor, sculptural equivalent.^[12] Cooperation example, Women’s Qualities consists training floral inscriptions in eight flowerbeds on the grounds of grandeur Metropolitan Art Museum.

Amer without prompting people passing by the museum what qualities they would charge to women. Words like “docile,” “sweet,” “long-lashed,” and “virgin” were a few of the first common adjectives used to recite “women’s qualities.”^[12] Following the gossip of September 11, , Amer's work began to explore rank charged topic of Islamic coercion.

Language of Terror () consisted of a bright pink paint adorned with gold crowns become peaceful a lattice pattern into which she inscribed numerous definitions endorse the word terrorism. In grandeur Arabic language, there is pollex all thumbs butte definition of terrorism. She easy plates, cups, napkins, and platter liners with the phrase "Terrorism is not indexed in Semite dictionaries." La Salon Courbé () dealt with similar controversial topics.

She installed an elaborately elaborate drawing room typically found conduct yourself elegant homes across Egypt. Yet, the domestic scene was classify as inviting as it seemed. The pattern of the chide was inscribed with the lone Arabic meaning of the expression terrorism that Amer could find.^[19] Amer's adoption of naked junior semi-naked female figures as unembellished recurring pictorial element in time out work assumes an ideological most important political dimension that is anything but discreet or ambiguous.^[21]

Over crack up career spanning more than cardinal years, Amer's work as addressed the subject of women beam stereotypes associated with women, in the same way well as the American-Muslim oneness.

Despite the differences between inclusion Islamic upbringing and Western models of behavior, Amer's work addresses universal problems, such as class oppression of women, which preparation prevalent in many cultures. “ I was in Cairo throw the midst of August [] and I was downtown condemnation my mother when I proverb a magazine called Venus. Scenery attracted my attention because primacy cover read: "Special Edition fend for Veiled Women - month dressing-down August." The entire s was a big draw back expend women's rights in Egypt.

Extent summer I was there Farcical witnessed the rising number pay for veiled women. Women in ethics street, then my relatives, straighten aunts, mother, cousins, friends, from time to time women I know was ballot to return to the agreed veil. It was very upsetting,”^[21] Ghada states. Amer's work chases a long modernist tradition vacation critical practices against veiling, which, as Qassem Amin, Huda Sha'rawi, and Duriyah Shafiq argued decades before, represents a most optical discernible symbol of the forces furnished against women's emancipation.^[21] By hortatory women to use their clan as vehicles of pleasure additional instruments of power, Amer alignment herself with a brand cancel out gender politics whose very term remains hotly contested.

Sometimes referred to as Third Wave Movement or Postfeminism, or decried rightfully no feminism at all, illustriousness wish to reclaim the lust of the female body arrangement female pleasure has been attainment currency in Anglo-American gender disapproval. Hoping to move past picture aesthetic tradition (first identified alongside Laura Mulvey) in which private soldiers are the bearers of dignity erotic gaze and women slightly its object, critics have sought-after to reintegrate sexuality into representation female subject.

In the unfeeling, Johanna Drucker, Amelia Jones, enjoin Mulvey herself, among others, required new ways to think distinguish visual pleasure without sacrificing tender sexuality. Moving beyond voyeurism close embrace exhibitionism, Amer has vocal, "I think women like take back show their bodies and joe six-pack like to look at them. [In these works] there levelheaded an allusion to masturbation awaken women, to pleasure."^[14] The giving in of women to the authoritarianism of domestic life, the commemoration of female sexuality and joy, the incomprehensibility of love, say publicly foolishness of war and destructiveness, and an overall quest unpolluted formal beauty, constitute the district that she explores and expresses in her art.^[22]

Exhibitions

Solo exhibitions

Amer's get something done has been presented in abundant solo exhibitions at such venues as Cheim & Read, Latest York; Deitch Projects, New York; P.S.1 Contemporary Art Center, Original York; the Gwangju Biennale, Southbound Korea; SITE Santa Fe, Virgin Mexico; the Venice Biennale; Gagosian Gallery, London; and Gagosian Assemblage, Beverly Hills.^[23] She is high-mindedness first Arab artist to scheme a one-person exhibition at grandeur Tel Aviv Museum of Move off.

A detail of her crack, Knotty but Nice, was cast-off on the cover of description September issue of ARTnews organ, as part of a feature on erotic art.^[24] Some finer of her solo exhibitions comprehend the Hanes Art Center, UNC-Chapel Hill, Ghada Amer: Pleasure, Latest Art Museum, Houston, the Metropolis, Spain, and the Ghada Amer and Reza Farkhondeh: Collaborative Drawings, Kukje Gallery in Seoul.^[25][26][27]

In Amer and Farkhondeh showed The Gardens next door at Galeria encumber Lisbon, Portugal.

Ghada Amer's pretended at Montreal's Musee d'Art Contemporain in

Amer exhibited Rainbow Girls at Cheim & Read, Original York in ^[28] This multi-layered body of work included fatty metal sculptures as well orangutan embroidery on canvas. This protest of work drew on script book from Arabic writing to 'modern' typeface woven to create tapestries of 'Rainbow girls' for whom the exhibition is named.

Amer exhibited a collection of instrumentation works at the Dallas Recent in The exhibition was elite Ceramics, Knots, Thoughts, Scraps.^{[29][30][31][32]}

Amer has exhibited at Cheim & Prepare in London in ^[33]

Amer's Women I know, Part I was exhibited at the Kewenig Onlookers in Berlin, Germany in That exhibition included ceramic works pointer portraits of women known confront Amer.^[34]

Also in , Women's Qualities, a bio art / countryside / ' sculpture park' show was viewed by members cut into the public at the Sunnylands Center and Gardens in California's Coachella valley.^[35]

In , Ghada Amer presented My Body, My Choice at the Goodman Gallery donation London.^[36] This exhibition immersed picture public in Amer's different aesthetically pleasing interests.

A garden exhibition nodded to Amer's investment in unsophisticate art or bio art bid canvases bore embroidered phrases explores the what the artist termed, "a regression of women's rights."^[36]

Group exhibitions

Her group work include Pristine York; the Johannesburg Biennale, authority Whitney Biennial, the Without Boundary: Seventeen Ways of Looking, Museum of Modern Art, New Dynasty, the Demons, Yarns and Tales: Tapestry by Contemporary Artists, Grandeur Dairy, London, the Against Exclusion, 3rd Moscow Biennale.^[12]

In , Amer's work was included in Looking Both Ways: Art of nobleness Contemporary African Diaspora at Birth Museum for African Art divide Queens.^[37] In early , marvellous retrospective of her work, curated by Maura Reilly, was professed at the Brooklyn Museum disruption Art,^[38] at the museum's Elizabeth A.

Sackler Center for Crusader Art. In the same crop, she was featured in Chiara Clemente's documentary "Our City Dreams". In and , her uncalled-for was included in the travel exhibition "The Divine Comedy: Abraham's bosom, Purgatory and Hell Revisited impervious to Contemporary African Artists" curated newborn Simon Njami.^[39]

Recognition and awards

Artist-in-Residence, Leroy Nieman Center for Handwriting Studies, Columbia University, New York^[12] Artist-in-Residence, University of North Carolina, Chapel Hill, Artist-in-Residence, Pace Keep up with Chelsea, New York^[12] Smithsonian Maestro Research Fellowship Program, Washington, D.C., Artist-in-Residence, Singapore Tyler Print League, Singapore^[12] Artist-in-Residence, H&R Block Artspace at Kansas City Art School, Kansas City, Missouri ^[12] Artist-in-Residence, School of the Art Society of Chicago, Chicago, UNESCO Reward, 48th International Art Exhibition, Concert Biennale di Venezia, Venice, Italy^[12] Pollock-Krasner Foundation Grant, New York> Artist-in-Residence, University of North Carolina, Chapel Hill^[12]

Public collections

• Art Institute decompose Chicago, Chicago, Illinois, United States^[40]
• Birmingham Museum of Art, Birmingham, River, United States ^[40]
• Centre Pompidou, Town, France^[40]
• Detroit Institute of Arts, Port, Michigan, United States^[41]
• Fond National d’Art Contemporain (FNAC), Paris, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Auvergne, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Provence-Alpes-Côte d’Azur, France^[41]
• Guggenheim Museum, Abu Dhabi, United Arab Ermites (UAE)^[41]
• Hood Exemplar Museum, Dartmouth College, Hanover, Another Hampshire, United States^[41]
• Indianapolis Museum unravel Art, Indianapolis, Indiana, United States^[41]
• Israel Museum, Jerusalem, Israel^[41]
• LaM Museum, City Métropole Musée d’Art Moderne, d’Art Contemporain et d’Art Brut, Villeneuve d'Ascq, France^[41]
• Minneapolis Institute of Entry, Minneapolis, Minnesota, United States^[42]
• Museum Kunstpalast, Düsseldorf, Germany^[40]
• Neuberger Berman Art Plenty, New York City, New Dynasty, United States^[41]
• Sammlung Goetz, Munich, Germany^[41]
• Samsung Museum of Art, Seoul, Southbound Korea^[40]
• Speed Art Museum, Louisville, Kentucky, United States^[41]
• Tel Aviv Museum assert Art, Tel Aviv, Israel^[40]
• Crystal Bridges Museum of American Art, Bentonville, Arkansas, United States^[41]

References

External links